Albeca Media

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めいそうMeisou

Some legends linger. Best that you don’t.

A short film · Horror / found footage · 9 min · 2026

The story

A solo hiker sets out to summit Tokyo’s highest mountain, but with each footfall, the dark legend of a warlord’s last stand grows harder to dismiss, and the way down harder to find.

Synopsis

On the second day of a hike to Mt. Kumotori, a vlogger films his route, a protection charm, and a story he read online: Taira no Masakado, seven shadow warriors turned to stone, and the boy who made their last stand possible. Then he goes looking for the stones. What he sees there, and what he only thinks he sees, the camera can’t tell apart.

Long synopsis

On the second morning of a hike in Okutama, a cheerful vlogger sets out from the Sanjou no Yu hut for Mt. Kumotori, the highest point in Tokyo. He names his route, shows his camera a small wooden omamori and tucks it into his chest pocket “so it can do its job,” and laughs at a hand-painted warning sign with a ghost on it. The weather turns. He keeps thinking he hears animals, just out of sight.

That night, in a mountain hut, he whispers a story he learned online: a warlord who rose against the emperor, seven shadow warriors turned to stone, and a boy that made their last stand possible. In the morning he walks on, along a trail the local village has signposted as Masakado’s meisou, his “wandering route.”

Told entirely through the hiker’s own camera, with no score, Meisou is a found-footage short that unfolds like a mugen nō, one of Noh’s dream plays, until it breaks the form.

Something keeps appearing at the edge of the frame, or he thinks it does. Whether it’s the legend, the mountain, or his own mind, the camera can’t say.

Trailer

Stills

Production stills and frames from the film. Hi-res versions are in the press kit.

About the film

The title is written in hiragana, めいそう, so that it holds several words at once. The film moves through three of them on its title cards: 冥想 (meditation), 迷想 (delusion) and 迷走 (lost).

The last of those is written on the mountain itself. Tabayama Village signposts part of the trail as the 平将門 迷走ルート, Taira no Masakado’s “Wandering Route,” with panels telling the legend of his flight. Meisou was shot on that trail, with the village’s own signs in frame, so Japanese-reading and English-speaking audiences watch slightly different films.

There is no score. Every sound is the hiker’s own, except four dry Noh drum strokes on the title cards. The figure wears a Dōji (“boy”) Noh mask carved by Takao Inoue, and the film unfolds like a mugen nō, one of Noh’s dream plays, until it breaks the form.

Director’s statement

Meisou began as a hike. Joe Laird and I planned three days on the trails around Mt. Kumotori, the highest point in Tokyo, and packed a shot list, a Noh mask and a black poncho. We had no script and no crew; we were the crew.

The trail gave us the story. Tabayama Village has signposted part of the route as Taira no Masakado’s 迷走ルート, his “wandering route,” and that word, 迷走, became the title. Written in hiragana, めいそう can also be meditation or delusion. The film passes through each of them.

My hiker is an outsider. He retells a story he read online, half-remembered, on the very ground where that story is told. I wanted to make a film about a stranger borrowing a story that isn’t his.

Meisou unfolds like a mugen nō: a traveler, a place, a story, a night. Then it breaks the form. It doesn’t explain itself. I hope people leave arguing about what they saw.

— Vincent A. Pace, co-director

Production notes

Two people, three days, one mountain

Meisou was shot over three days in August 2026 on the trails of Okutama, west of Tokyo: up from the Sanjou no Yu hot-spring hut to the summit of Mt. Kumotori (2,017 m), a night at Kumotori Sansō, and a long final day back over the summit, past the stones of Nanatsuishi and down the Ishione ridge, about 20 km that ended at a railway station after ten at night. The crew was the cast: Vincent A. Pace and Joseph P. Laird. “Joe and I are doing everything.”

The weather wrote half the film. Bright morning sun gave way to fog, then rain, a lunch under a tarp and a storm on the last day. The mountain had its own say too: washed-out sections of trail, and a bear closure on the Kamosawa side that ruled out a shortcut and kept us on the long way down. None of it was scheduled, and all of it stayed in.

A call to Uenohara

We had planned to spend a night at Nanatsuishi-goya, the hut below the Seven Stones. We never arrived, and a search began. Vincent ended up on the phone to the Uenohara Police Station of the Yamanashi Prefectural Police, explaining what was going on.

The station is in the film’s Special Thanks.

The mask

The figure’s mask is a Dōji (“boy”) Noh mask, carved and finished by Takao Inoue in Fukuchiyama, Kyoto. It was chosen because it isn’t frightening: a calm, neutral young face. Inoue’s workshop turned the order around in under a week so it could make the trip.

Found sound, four drums

There is no music in Meisou. The rain, the wind and the hiker’s breathing are the soundtrack, along with one real animal: the squeal of a young deer somewhere off the trail. The only sounds added in post are four Noh drum strokes, built from Sonica Instruments’ kabuki and Noh percussion library, on the four title cards. The cards are set in Aoyagi Kouzan’s brush typeface in bone white on black, after the austere title cards of 1950s Japanese cinema.

Edit

The film was cut first in iMovie and finished in Final Cut Pro, where the color slowly drains from summer green toward gray as the title’s readings darken.

Cast & crew

The HikerVincent A. Pace
The FigureJoseph P. Laird
Vincent A. Pace
Directed & produced byVincent A. Pace & Joseph P. Laird
Dōji “Boy” Noh mask byTakao Inoue
Noh percussion samples fromSonica Instruments
Production companyAlbeca Media LLC

Special thanks スペシャルサンクス

  • Keiji & Tomoko Hashimoto
  • Liviana M. Pace
  • Felicia Y. Pace
  • Albert M. Pace
  • Cecilia L. Pace
  • Isabella Castillo
  • Andrew Gray
  • Danielle Gray
  • Stephanie Howell
  • Anthony E. Pace
  • Sanjou no Yu
  • Kumotori Sansou
  • Nanatsuishi-goya
  • Tabayama Village
  • Uenohara Police Station, Yamanashi Prefectural Police
  • Masakado-zuka Preservation Society
  • Nanatsuishi Shrine

An Albeca Media Film© 2026 Albeca Media LLC

Festivals & screenings

World premiere to be announced.

Meisou is preparing for its festival run and is not available to watch online.

Technical specifications

Running time
9:22
Genre
Horror / found footage
Country
USA
Shot in
Japan: Tokyo, and Okutama / Mt. Kumotori
Language
English (title cards and signs in Japanese)
Subtitles
English, Japanese
Format
1080p, 16:9, color
Sound
Stereo
Completed
2026